Friday, March 11, 2011

The Music Of the Primes


A guitar can be considered both, a musical instrument as well as percussion. Therefore a man alone with a guitar can often make credible music. Percussion came first - the big bang - then another, and another (echoes)… Then came a more gentle sound, probably in the form of wailing. When the wailing adapted itself to the beat, music was born. Finally, there was the ‘word’ and history began in earnest.

Similarly, harmony is a blend of the secular and the spirit. For the spirit to soar, it needs the discipline of a steady pulse. There has been undue emphasis on just pulse lately. Sound has been allowed to become discordant - the din of people expressing disparate agonies - every nation divided, pulling both ways. Voices shouting slogans in short, bumper sticker bursts mimic the staccato of an incomplete drum set. It has become a lingering sign of our times - 'The WHO' destroying their instruments at the end of the set. Drumsticks tossed into the audience. What are they going to do with them except clobber each other?

We are regressing. The drums of war are heard all around. Even God has been roused from his lofty abode and is seen hurling lightning bolts mindlessly here and there. The ground under Haiti trembles, and over a year later we still cannot cope. Iran threatens, and we shrink from our duty to stop it. And today, Japan stands helplessly while watching a wall of water advancing.

America too watches helplessly as it is being consumed by a tsunami of debt. In New York, the most expensive musical ever is being kept off-line while the bodies drop from the wires.

Curious about Spiderman: The day before Glenn Beck quit the airwaves in New York, he delivered and impassioned endorsement of Spiderman. He claimed that it represents a huge step forward in live theater, akin (perhaps) to switching from watching black and white to color TV. He spent a full half hour praising this show, saying (and I paraphrase) it is definitely worth the price of an over-inflated ticket and even the added cost of a flight from anywhere.

I remember thinking that Beck might simply be honoring some contractual obligation. Or, did he really believed what he was saying? I was torn, but leaning towards the latter. For one thing, he had high praise for the script (and music). He warned that liberals - especially New York liberals - would not like the story. Ticket sales spiked immediately after Beck’s show. Then, other reviews started filtering in. These, as expected, were overwhelmingly negative.

It is entirely possible that a conservative narrative cannot survive on Broadway. In today’s hyper-partisan climate, even the skeletal music of Bono, it seems, cannot endure the drumming of the ideological fist.

While in many ways the staccato bursts of gunfire in the Middle East seem to dominate our own narratives, 'The WHO’s classic coda to “My Generation” comes immediately to mind. And with it, the final scene of smashed guitars and sparking amplifiers.

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