Tuesday, January 5, 2010
Krishna Is the Eighth Avatar of Vishnu
It's interesting that the once benevolent and generous gesture of giving a hand to those we determined to be the most needy world-wide, has now shed all pretenses and morphed into outright extortion.
I just finished watching the most delicious French comedy ever “My Best Friend” (’07) which contained the line, “You mean you pay to have people like you?” It sums up our progression from spontaneous giving, through paying for sex, to blackmail and extortion.
Speaking of movies, if there is still any doubt that there is a fifth column in this country that spares no expense in helping to create the impression that America is evil and must be defeated by any means possible in order to save the planet, that doubt can be put to rest with James Cameron’s AVATAR.
Over the years, Hollywood has always been very successful in creating powerfully persuasive fantasies that pit good against evil. Within a span of the past 50 years it has worked hard to define the antagonists. On one side is America; on the other is the rest of the world. America itself stands divided and is perched precariously on the cusp. It is within the private chambers of every American heart that the conflict will eventually be resolved.
AVATAR, stokes the notion that America is the single most potent destructive force on the planet. Visually, it employs the racial aspects of the tension. It hails a kind of back-to-the-earth tribalism as the answer to saving the planet or, in a larger sense, saving mankind’s soul. As such, it justifies any attack on the white man’s hegemony as warranted and totally acceptable. To Hollywood (by an extension of the logic) the shoe and the panty bombers are visionary new-age heroes.
This movie should do especially well in the Middle East, in Africa, Asia and South America. Though we have a significant number of domestic self-haters amongst us, most of the American movie-going public will recognize that it is they who are under assault by the predictable propagandists for the no-boundaries Left. Let’s put it in context: If during WWII, Hollywood had turned out movies such as AVATAR, we all would now be speaking German and eating Bratwurst. There would be no more Jews, Gypsies and whoever else Hitler might have set his sights on.
After the movie was over, my son remarked that AVATAR had the exact same plot of every movie he’s ever seen in the past ten years. This is a shame. Hollywood has everything it could possibly want at its disposal. Yet, it’s been working so doggedly to cheapen itself and ultimately bring about its own destruction. It used to be that ‘propaganda’ was a dirty word. At least, it was when I was growing up. Now there are galleries in Manhattan and on college campuses celebrating Soviet-era propaganda as high art.
No doubt, depending on who ultimately wins this fight, either AVATAR or Mel Gibson’s APOCALYPTO (AVATAR’s exact ideological opposite) will some day be celebrated as well.
Labels:
APOCALYPTO,
art,
AVATAR,
Daniel Ateuil,
Hitler,
Hollywood,
Krishna,
Mel Gibson,
propaganda,
Vishnu
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